Yale University
B. Arch (2024), minor in Studio Art and Concentration in Architectural History + Theory
The City College of New York
kites in my backyard
Pidgin 33
2025
Recognizing My Bed
PLAT JOURNAL 14
2025
how to draw a fence
Staten Island Arts Grant 2025
Graduate Teaching Assistant, Landscapes of the Green Revolution, w/ Anthony Acciavatti
Yale University
2023
Graduate Teaching Assistant, Domo Ludens, w/ M. Surry Schlabs
Yale University
2023
Graduate Teaching Fellow, Resources for Design Research, w/ Zachariah Michielli
Yale University
2023
Graduate Teaching Fellow, Undergraduate Design Studio, w/ M. Surry Schlabs
Yale University
2022
Instructor, Portfolio Preparation and Review for Undergraduates
The City College of New York
2017
Teaching Assistant, Core I Studio, w/ Timothy M. Collins
The City College of New York
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Various guest critic at graduate/undergraduate reviews at Yale University, The City College of New York, Pratt Institute, Thomas Jefferson University
kites in my backyard, Pidgin 33, Princeton School of Architecture
2025
A Big Red Curtain, Shinkenchiku Island to Table Honorable Mention, A+U February 2025, w/ Ariel Bintang
2025
A Big Red Curtain, Shinkenchiku Island to Table Honorable Mention, Shinkenchiku February 2025, w/ Ariel Bintang
2024
A Tall Green Shelf, 2nd Annual Poots Competition, citygroup, w/ Ariel Bintang
2023
25 Objects of Belonging, Tacit Knowledge in Architecture Conference at ETH Zurich, w/ Ariel Bintang
2023
Mimesis, Issue Editor, Paprika!, w/ Pablo Perezalonso, Frank DeBlasio
Yale School of Architecture
2024
simultanaeity, Contributor, Paprika! Vol. 10, Iss. 02, Reflections
2021
Katoikia, Editor & Designer
The City College of New York
2021
CityX, Editor & Designer
The City College of New York
2019
Transient Spaces, Editor + Designer
The City College of New York
The book was presented at Changing Cities V in Corfu, Greece (2022), UIA World Congress of Architects Conference, Rio de Janeiro, Brazil (2021), at the Thomas Jefferson University College of Architecture Lecture Series (2020), at the Spitzer School of Architecture Sciame Lecture Series (2021), AIAS Northeast Quad (2018) speakers
2019
Inflate and Wait, Contributor, unbag Issue 04 In Tension, w/ Amanda Sarantos, American Artist
Public Access Design, Center for Urban Pedagogy, w/ Amanda Sarantos
2018
US-Indonesian Society Summer Studies Fellow, Yogyakarta, Indonesia
Island to Table
Honorable Mention
Shinkenchiku
2024
The Drawing Prize
Yale University
2021
The City Artist Corps Grant
New York Foundation for the Arts
2018
IDEA Competition: PlaceDisplacement
Honorable Mention
2018
Project Earth 2 Cities of Tomorrow
First Place
2017
Rethinking the Future Sustainability Awards
First Place
Index
• 2508_kites in the backyard
• 2402_look at my house, and my home looks back
• 2402_secret pocket book
• 2402_paprika!reflections
• 2402_the promise of a grid
• 2312_matisse and i run thru a forest
• 2309_peekaboo shed
• 2309_paprika!mimesis
• 2305_rome dwgs
• 2302_piranesi’s in my backyard
• 2302_the moon, the field, and me
• 2209_my house goes on forever
• 1909_transient spaces
• 1912_alone, together
• 1805_maintaining place in densifying space
• 1801_inflate and wait
• 1701_weaving communities
Issue editors with Frank DeBlasio and Pablo Perezalonso (SPF)
Yale School of Architecture
Spring 2024
Paprika! Vol. 09, Issue 01
Our Editor’s Note:
Exquisite Palimpsest was our interpretation of MIMESIS. An event where three isolated collaborative drawings would become layers in an artificial palimpsest - revealing new associations, new narratives and new images - all authorless, the product of a continuum of ideas and hands. All design, all creation, stands on the shoulders of those who came before. We remix, we remake, we mimic others when we forge into the unknown. All work is collaborative work, there is no such thing as author.
The three drawings developed for this issue were generated simultaneously but independently. As the event progressed, subcultures in drawing emerged influenced by each respective site. From the floor drawing emerged many traces of feet, from the pit drawing many sketches of faces. These were manifestations of mimesis, of cross pollination developing cultures of iteration and ideation. Visible collaboration was the ethos of the generative event.
By contrast, the final composite em-erged as a product of unforeseen collaboration. Unintended dialogues between faces and feet became the subject of the work. The relationships between content developed by independent authors superseded the content itself. The tension between collaboration and competition forms the composition. The authors of this tension are untraceable and unknowable.
This document is but another layer in the continuum. The contents presented here are reflections of this ethos and of this composition. Reinterpretations, regenerations and reiterations of collective thought. And you, reader, are the next layer still, as you process and filter the words and lines on this page, you become a collaborator of the continuum of MIMESIS.